SHOWING JULY 10-23 | Meursault (Benjamin Voisin) works as a clerk at an office in Algiersduring the French colonial occupation. A modest man who keeps to himself, Meursault finds his routine upended by the sudden death of his mother. At her funeral, he faces scrutiny from all corners for his failure to perform his grief. This reputation for otherworldly detachment follows Meursault back to Algiers, where his tentative romance with Marie (Rebecca Marder) and his indifference to professional advancement frustrate those around him. As Meursault gets swept up in a cycle of escalating reprisals among his neighbors, tensions come to a head when he murders an Arab man on the beach. A Frenchman may offer many defenses for shooting an Arab in Algeria, but Meursault’s refusal of excuse or remorse shakes colonial society to its core. Photographed in sterling, sensuous black-and-white, François Ozon’s new take on Albert Camus’s classic novel of existentialist ennui is a landmark of adaptation, simultaneously faithful to the text and dedicated to discovering fresh perspectives in the margins.

SHOWING JULY 17-23 | Set against the relentless backdrop of the 24 Hours of Le Mans, 2DIE4 follows driver Felipe Nasr through one of the motorsport's most physically and mentally demanding challenges.

ONE NIGHT ONLY - FRIDAY JULY 17 | *30th Anniversary 4K Restoration* Funny, disturbing, tragic and deeply addictive, Trainspotting is based on the seminal best-selling novel of the same name by Irvine Welsh. Set in gritty, late 1980s Edinburgh, Scotland, it’s the story of smart, funny, sickly, heroin addict Mark Renton (Ewan McGregor) and his so-called friends – a bunch of losers, liars, psychos, thieves and junkies. Hilarious but harrowing, the film charts the disintegration of their friendship as they proceed, seemingly inevitably, towards self-destruction. Mark alone has the insight and opportunity to escape his fate, but does he really want to “choose life”?