Sofia works as a location scout for a TV pilot filming in New York City. It’s her job to find the homes, businesses, and exteriors where the show will be filmed. Driving around the city’s different neighborhoods, she enters the private spaces of strangers to photograph their cozy apartments and eclectic shops, stepping into the fabric of their lives while trying to satisfy the demands of her erratic employers. Over a day filled with these encounters, Sofia witnesses moments of curiosity, vulnerability, and quiet tension until her work takes a sudden, personal turn. Drawing from her own experience as a location scout, writer-director Paula González-Nasser captures the poetry and costs of being a young creative. Her celebrated directorial debut The Scout crafts a contemplative exploration of urban disconnection, following one woman’s journey through other people’s worlds as she struggles to find her own.

Following the finale of his TV series, filmmaker John Wilson looks to the bedrock of his beloved New York City for inspiration and structure. Concrete, the world’s most widely used building material, appears as an ever-present life force, and John sets out to make the definitive documentary on the matter. To tell this seemingly drab story, he decides to use the industry-approved Hallmark formula to increase his movie’s appeal. But his foundation soon begins to crumble—literally and figuratively—as he struggles to balance artistic freedom with the realities of the modern film industry.

SHOWING OCTOBER 17 & 25 | Two of opera’s most extraordinary artists return to The Met: Live in HD for Verdi’s thrilling take on the immortal Shakespearean tale of the scheming couple determined to seize power at any cost. Following past triumphs in many of Verdi’s signature baritone roles, Quinn Kelsey is the Scottish king haunted by the ghosts of his murderous ascent to the throne, opposite Lise Davidsen—the world’s reigning dramatic soprano—as the power-mad Lady Macbeth, whose ruinous ambition damns them both.

SUNDAY, OCTOBER 17 ~ When Ellen, the matriarch of the Graham family, passes away, her daughter’s family begins to unravel cryptic and increasingly terrifying secrets about their ancestry. The more they discover, the more they find themselves trying to outrun the sinister fate they seem to have inherited. Making his feature debut, writer-director Ari Aster unleashes a nightmare vision of a domestic breakdown that exhibits the craft and precision of a nascent auteur, transforming a familial tragedy into something ominous and deeply disquieting, and pushing the horror movie into chilling new terrain with its shattering portrait of heritage gone to hell.

SATURDAY, OCTOBER 17 ~ Francesco Dellamorte (Rupert Everett) is the groundskeeper at a cemetery where the dead just won’t stay dead—and it’s up to him to deal with those who come back to life with a hunger for human flesh. But Dellamorte’s job soon becomes much more complicated when he falls for an enigmatic young woman (Anna Falchi) whose husband has recently died. Based on the novel by Tiziano Sclavi (DYLAN DOG) and directed by Michele Soavi (THE CHURCH), CEMETERY MAN is a late masterpiece of Italian horror: quirky, gory, romantic, and unlike anything else.