The Friends of The Ross, The Norman A. Geske Cinema Showcase, and the UNL LGBTQA+ Center present filmmaker John Scagliotti, who will be at the Ross on Friday, October 22 for a Q&A with the audience following a screening of his documentary Before Homosexuals.

BEFORE HOMOSEXUALS
John Scagliotti, producer of the landmark films Before Stonewall and After Stonewall, here guides us in a wondrous tour of erotic history, poetry and visual art in his new documentary on same-sex desire - from ancient times to Victorian crimes. Traveling all over the world and talking with dozens of experts on history, art and sexuality, he revels in lesbian love spells from ancient Rome, censored chapters of the Kamasutra, Native American two-spirit rituals and much more. A prequel to Before Stonewall, Before Homosexuals unearths the diverse and fascinating garden of human same-sexual desire. Before Homosexuals
NR 01 h 39 m
AT THE REQUEST OF THE FILM'S DISTRIBUTOR, PROOF OF VACCINATION IS REQUIRED TO ATTEND SCREENINGS OF THIS FILM. PLEASE BRING YOUR VACCINATION CARD OR A PHOTO OF YOUR VACCINATION CARD TO SHOW AT THE BOX OFFICE.

With his signature blend of scientific acumen, candor and integrity, Dr. Anthony Fauci became America's most unlikely cultural icon during COVID-19. A world-renowned infectious disease specialist and the longest-serving public health leader in Washington, D.C., he has valiantly overseen the U.S. response to 50 years' worth of epidemics, including HIV/AIDS, SARS and Ebola. FAUCI is an unprecedented portrait of one of our most vital public servants, whose work saved millions while he faced threats from anonymous adversaries.

Directed by Emmy winners John Hoffman (The Weight of the Nation, Sleepless in America) and Janet Tobias (Unseen Enemy), the film is executive produced by Academy Award winner Dan Cogan (Icarus) and two-time Academy Award nominee Liz Garbus (What Happened, Miss Simone?, The Farm: Angola, USA). The documentary features insights from President George W. Bush, Bill Gates, Bono, former U.S. Department of Health and Human Services secretary Sylvia Burwell, former national security advisor Susan Rice, National Institutes of Health director Dr. Francis Collins, former Centers for Disease Control and Prevention director Dr. Tom Frieden and key AIDS activists, plus Dr. Fauci's family, friends and former patients.


Fauci
PG-13 01 h 57 m
Opening Night of the 2021–22 season will be a historic occasion—the Met's first performance of an opera by a Black composer. Yannick Nézet-Séguin conducts Grammy Award–winning jazz musician and composer Terence Blanchard’s adaptation of Charles M. Blow’s moving memoir, which The New York Times praised after its 2019 world premiere at Opera Theatre of Saint Louis as “bold and affecting” and “subtly powerful.” Featuring a libretto by filmmaker Kasi Lemmons, the opera tells a poignant and profound story about a young man’s journey to overcome a life of trauma and hardship. James Robinson and Camille A. Brown—two of the creators of the Met’s sensational recent production of Porgy and Bess—co-direct this new staging; Brown, who is also the production’s choreographer, becomes the first Black director to create a mainstage Met production. Baritone Will Liverman, one of opera’s most exciting young artists, stars as Charles, alongside sopranos Angel Blue as Destiny/Loneliness/Greta and Latonia Moore as Billie. MET: Fire Shut Up In My Bones
02 h 52 m
The Norman A Geske Cinema Showcase presents Academy Award-winning editor Chris Innis, who will be at The Ross on Thursday, October 28 for a Q&A with the audience following a screening of The Hurt Locker.

THE HURT LOCKER (2008)
Staff Sgt. William James (Jeremy Renner), Sgt. J.T. Sanborn (Anthony Mackie) and Specialist Owen Eldridge (Brian Geraghty) are members of a bomb-disposal unit in Baghdad. As their tour of duty enters its final weeks, the men face a set of increasingly hazardous situations, any of which could end their lives in an explosive instant. Directed by Kathryn Bigelow. Winner of 9 Academy Awards, including Best Picture, Best Director, and Best Editing.
The Hurt Locker
R 02 h 23 m
THE EVIL DEAD (1981)
Ashley "Ash" Williams (Bruce Campbell), his girlfriend and three pals hike into the woods to a cabin for a fun night away. There they find an old book, the Necronomicon, whose text reawakens the dead when it's read aloud. The friends inadvertently release a flood of evil and must fight for their lives or become one of the evil dead. Ash watches his friends become possessed, and must make a difficult decision before daybreak to save his own life in this, the first of Sam Raimi's trilogy. The Evil Dead
NC-17 01 h 37 m
The Norman A Geske Cinema Showcase presents actress Lynn Lowry and Academy Award-winning editor Chris Innis, who will be at The Ross on Friday, October 29 for a Q&A with the audience following a screening of I DRINK YOUR BLOOD.

I DRINK YOUR BLOOD (1970)
A group of Satanic hippies wreak havoc on a small town where a young boy, whose sister and grandfather were victimized by them, tries to get even - with deadly results. Rated R. 



I Drink Your Blood
R 01 h 35 m
JULIA tells the story of the legendary cookbook author and television superstar who changed the way Americans think about food, television, and even about women. Using never-before-seen archival footage, personal photos, first-person narratives, and cutting-edge, mouth-watering food cinematography, the film traces Julia Child's surprising path, from her struggles to create and publish the revolutionary Mastering the Art of French Cooking (1961) which has sold more than 2.5 million copies to date, to her empowering story of a woman who found fame in her 50s, and her calling as an unlikely television sensation. Julia
PG-13 01 h 47 m
The ancient Greek myth of Orpheus, who attempts to harness the power of music to rescue his beloved Eurydice from the underworld, has inspired composers since opera’s earliest days. Rising American composer Matthew Aucoin now carries that tradition into the 21st century with a captivating new take on the story—a product of the Met’s commissioning program. With a libretto by MacArthur “Genius Grant” recipient Sarah Ruhl, adapted from her acclaimed 2003 play, the opera reimagines the familiar tale from Eurydice’s point of view. Yannick Nézet-Séguin oversees the momentous Met premiere from the podium, leading Aucoin’s evocative music and an immersive new staging by Mary Zimmerman. Soprano Erin Morley sings the title role, opposite baritone Joshua Hopkins as Orpheus and countertenor Jakub Józef Orliński as his otherworldly alter-ego. Bass-baritone Nathan Berg is Eurydice’s father and fellow resident of the underworld, with tenor Barry Banks as Hades himself. MET: Eurydice
02 h 57 m
Continuing a treasured holiday tradition, the Met presents a new installment in its series of abridged opera adaptations for family audiences. Laurent Pelly’s storybook staging of Massenet’s Cendrillon, a hit of the 2017–18 season, is presented with an all-new English translation in an abridged 90 minutes, with mezzo-soprano Isabel Leonard as its rags-to-riches princess. Maestro Emmanuel Villaume leads a delightful cast, which includes mezzo-soprano Emily D’Angelo as Cinderella’s Prince Charming, soprano Jessica Pratt as her Fairy Godmother, and mezzo-soprano Stephanie Blythe and bass-baritone Laurent Naouri as her feuding guardians. MET: Cinderella
01 h 47 m
The Met rings in the new year with the gala premiere of a bold new take on Verdi’s timeless tragedy from Bartlett Sher. The Tony Award­–winning director resets the opera’s action in 1920s Europe, with Art Deco sets by Michael Yeargan and elegant costumes by Catherine Zuber, themselves boasting a combined eight Tony Awards. Baritone Quinn Kelsey, a commanding artist at the height of his powers, brings his searing portrayal of the title role to the Met for the first time, starring alongside soprano Rosa Feola as Gilda and tenor Piotr Beczała as the Duke of Mantua, with leading maestro Daniele Rustioni on the podium. A second run of performances in the spring features soprano Kristina Mkhitaryan, and tenor Stephen Costello, conducted by Karel Mark Chichon. MET: Rigoletto
03 h 22 m
The exhilarating soprano Lise Davidsen brings one of her signature roles to the Met for the first time as the mythological Greek heroine of Strauss’s enchanting masterpiece. The outstanding cast also features mezzo-soprano Isabel Leonard as the Composer of the opera-within-an-opera around which the plot revolves, with soprano Brenda Rae as the spirited Zerbinetta, tenor Brandon Jovanovich as Ariadne’s lover, the god Bacchus, and Thomas Allen as the Major-Domo. Marek Janowski conducts. MET: Ariadne Auf Naxos
03 h 02 m
For the first time in company history, the Met presents the original five-act French version of Verdi’s epic opera of doomed love among royalty, set against the backdrop of the Spanish Inquisition. Yannick Nézet-Séguin leads a world-beating cast of opera’s leading lights, including tenor Matthew Polenzani in the title role, soprano Sonya Yoncheva as Élisabeth de Valois, and mezzo-soprano Elīna Garanča as Eboli. Bass Günther Groissböck and bass-baritone John Relyea are Philippe II and the Grand Inquisitor, and baritone Etienne Dupuis rounds out the all-star principal cast as Rodrigue. Verdi’s masterpiece receives a monumental new staging by David McVicar that marks his 11th Met production, placing him among the most prolific and popular directors in recent Met memory. MET: Don Carlos
01 h 52 m