ONE NIGHT ONLY ~ THURSDAY, MARCH 12 | History professor George (Richard Burton) and his boozy wife, Martha (Elizabeth Taylor), return late one Saturday night from a cocktail party at the home of the college president, Martha’s father. Martha announces that she invited another couple, newly appointed instructor Nick (George Segal) and his timid wife, Honey (Sandy Dennis), over for a nightcap. When the younger couple arrive, the night erupts into a no-holds-barred torrent of marital angst and verbal tirades.

SHOWING MARCH 13-19 | In pre-internet 1987, Conor and his dog Sandy live a life of seclusion, lost in the slow-rendering graphics of early Macs and televisions aglow with late night horror movie marathons. But when he begins playing OBEX, a new and mysterious, state-of-the-art computer game, he finds himself trapped in a low-tech, but high-stakes analog hellscape as the line between reality and game blurs. Audacious and uncanny, writer-director Albert Birney’s OBEX is a delightfully skewed lo-fi fantasy. Shot in striking black and white, this surreally nostalgic nightmare revisits the dawn of personal computing to reflect on the loneliness of our always-online present day.

ONE NIHT ONLY ~ FRIDAY, MARCH 13 | Cantankerous retiree Norman Thayer (Henry Fonda) and his conciliatory wife, Ethel (Katharine Hepburn), spend summers at their New England vacation home on the shores of idyllic Golden Pond. This year, their adult daughter, Chelsea (Jane Fonda), visits with her new fiancée and his teenage son, Billy (Doug McKeon) on their way to Europe. After leaving Billy behind to bond with Norman, Chelsea returns, attempting to repair the long-strained relationship with her aging father before it’s too late.

SHOWING MARCH 13-26 | From writer-director Oliver Laxe (Fire Will Come, Mimosas) comes an explosive and transformative descent into the Moroccan desert, where a Spanish father and his young son infiltrate an underground rave scene in search of a missing girl.

ONE NIGHT ONLY ~ SATURDAY, MARCH 14 | Struggling writer and wine enthusiast Miles (Paul Giamatti) takes his engaged friend, Jack (Thomas Haden Church), on a trip to wine country for a last single-guy bonding experience. While Miles wants to relax and enjoy the wine, Jack is in search of a fling before his wedding. Soon Jack is sleeping with Stephanie (Sandra Oh), while her friend Maya (Virginia Madsen) connects with Miles. When Miles lets slip that Jack is getting married, both women are furious, sending the trip into disarray.

ONE NIGHT ONLY ~ SATURDAY, MARCH 14 | In a small New Hampshire town, washed-up cop Wade Whitehouse (Nick Nolte) has a troubled past, an abusive father (James Coburn), the contempt of his ex-wife (Mary Beth Hurt) and an unimpressive streak as a lawman. When hunting guide Jack Hewitt (Jim True) reports a businessman’s accidental death during a hunting trip, Wade believes he has a chance to turn around his life, if he can prove it was murder. Increasingly obsessed, Wade begins to lose his composure during the investigation.

ONE NIGHT ONLY ~ SUNDAY, MARCH 15 | Frankie Dunn (Clint Eastwood) is a veteran Los Angeles boxing trainer who keeps almost everyone at arm’s length, except his old friend and associate Eddie “Scrap Iron” Dupree (Morgan Freeman). When Maggie Fitzgerald (Hilary Swank) arrives in Frankie’s gym seeking his expertise, he is reluctant to train the young woman, a transplant from working-class Missouri. Eventually, he relents, and the two form a close bond that will irrevocably change them both.

ONE NIGHT ONLY ~ MARCH 18 | *4K Restoration* During planting season in Northern Italy’s Po Valley, an earthy rice-field worker (Silvana Mangano) falls in with a small-time criminal (Vittorio Gassman) who is planning a daring heist of the crop, as well as his femme-fatale-ish girlfriend, played by the Hollywood star Doris Dowling. Both a socially conscious look at the hardships endured by underpaid field workers and a melodrama tinged with sex and violence, this early smash for producer extraordinaire Dino De Laurentiis and director Giuseppe De Santis is neorealism with a heaping dose of pulp.

SHOWING SATURDAY, MARCH 21 & SUNDAY, MARCH 29 | After years of anticipation, a truly unmissable event arrives in cinemas worldwide on March 21 as the electrifying Lise Davidsen tackles one of the ultimate roles for dramatic soprano: the Irish princess Isolde in Wagner’s transcendent meditation on love and death. Heroic tenor Michael Spyres stars opposite Davidsen as the love-drunk Tristan. The momentous occasion also marks the advent of a new, Met-debut staging by Yuval Sharon—hailed by The New York Times as “the most visionary opera director of his generation” and the first American to direct an opera at the famed Wagner festival in Bayreuth—as well as Music Director Yannick Nézet-Séguin’s first time leading Tristan und Isolde at the Met.

ONE NIGHT ONLY ~ Wednesday, March 25 | *20th Anniversary ~ 4K Restoration* In this inimitable cult classic starring a magnetic Lee Pace, singular filmmaker Tarsem crafts a magical love letter to the power of storytelling and the human imagination. Now restored in spectacular 4K, this visual feast of magnificent costumes and stunning locations rivals the wildest of dreams.

SHOWING APRIL 1 & 5 | Returning to cinemas for the first time in over a decade, Helen Mirren plays Queen Elizabeth II in the Olivier and Tony Award® -winning hit production, directed by Stephen Daldry.

SHOWING WEDNESDAY, APRIL 8. PART OF 'A TRIBUTE TO NEBRASKA'S JOAN MICKLIN SILVER' ~ Joan Micklin Silver’s remarkable feature debut is a vivid, lovingly detailed evocation of the late-nineteenth-century Jewish Lower East Side built around a luminous, Academy Award–nominated performance from Carol Kane as Gitl, a young woman from Eastern Europe who arrives in New York to join her husband Yankel (Steven Keats) who has already emigrated. While Yankel, who now goes by Jake, has quickly acclimated to life in America—and even begun an affair with a dancer—Gitl initially struggles to assimilate. As she attempts to find her place within an unfamiliar culture, Gitl must find a way to become a victor instead of a victim.