SHOWING JANAURY 7-22 | Brazil, 1977. Marcelo, a technology expert in his early 40s, is on the run. Hoping to reunite with his son, he travels to Recife during Carnival but soon realizes that the city is not the safe haven he was expecting. Master filmmaker Kleber Mendonça Filho teams up with renowned actor Wagner Moura – giving an extraordinary, career-defining performance – to craft a thrillingly unpredictable, playfully shape-shifting epic steeped in history even as it feels remarkably contemporary, paying affectionate tribute to the movies of Filho’s youth while unfolding against the backdrop of political turmoil and palpable danger.

SHOWING JANUARY 7-15 | Oscar-nominated director Richard Linklater’s love letter to the spellbinding magic of French cinema, NOUVELLE VAGUE reimagines the making of Jean-Luc Godard’s revolutionary BREATHLESS, which ultimately cemented Godard as a pioneer of the French New Wave.

SPECIAL SCREENING SUNDAY, JANUARY 11 | There was before BREATHLESS, and there was after BREATHLESS. Jean-Luc Godard burst onto the film scene in 1960 with this jazzy, free-form, and sexy homage to the American film genres that inspired him as a writer. With its lack of polish, surplus of attitude, anything-goes crime narrative, and effervescent young stars Jean-Paul Belmondo and Jean Seberg, BREATHLESS helped launch the French New Wave and ensured that cinema would never be the same.

SHOWING SATURDAY, JANUARY 10 & SUNDAY, JANUARY 18 | For gorgeous melody, spellbinding coloratura, and virtuoso vocal fireworks, I Puritani has few equals. On January 10, the first new Met production of Bellini’s final masterpiece in nearly 50 years—a striking staging by Charles Edwards, who makes his company directorial debut after many successes as a set designer—arrives in cinemas worldwide. The Met has assembled a world-beating quartet of stars, conducted by Marco Armiliato, for the demanding principal roles. Soprano Lisette Oropesa and tenor Lawrence Brownlee are Elvira and Arturo, brought together by love and torn apart by the political rifts of the English Civil War, with baritone Artur Ruciński as Riccardo, betrothed to Elvira against her will, and bass-baritone Christian Van Horn as Elvira’s sympathetic uncle, Giorgio.

SHOWING JANUARY 16-29 | 1916. As war rages on the Western Front, the Choral Society in Ramsden, Yorkshire has lost most of its men to the army. Determined to press ahead, the Choral’s ambitious committee decides to recruit local teens to fill their ranks, and engage an uncompromising new chorus master recently returned from Germany (Ralph Fiennes).

SHOWING THURSDAY, JANUARY 22 & SUNDAY, JANUARY 25 | Olivier Award-winner Hiran Abeysekera (Life of Pi) is Hamlet in this fearless, contemporary take on Shakespeare’s famous tragedy. National Theatre Deputy Artistic Director, Robert Hastie (Standing at the Sky’s Edge, Operation Mincemeat) directs this sharp, stylish and darkly funny reimagining.

SHOWING JANUARY 23-FEBRUARY 5 | From director Park Chan-wook (Oldboy, The Handmaiden) and based on Donald E. Westlake’s novel The Ax, NO OTHER CHOICE follows Man-su on his desperate hunt for a new job after his abrupt layoff from the paper company he served for 25 years.

SHOWING JANUARY 30-FEBRUARY 5 | From Academy and BAFTA Award–winning filmmaker Paolo Sorrentino, LA GRAZIA is a sweeping exploration of love, duty, and personal freedom. Toni Servillo – winner of the Best Actor Award at the 2025 Venice Film Festival – stars as Italy’s outgoing president, Mariano De Santis, navigating moral and personal crossroads with the help of his confidante and daughter, Dorotea (Anna Ferzetti). With Sorrentino’s signature poetic vision and an evocative soundtrack, this heartfelt masterwork is an intimate meditation on fatherhood, conscience, and the enduring question: who owns our days?

SHOWING FEBRUARY 6-12 | January 29, 2024. Red Crescent volunteers receive an emergency call. A 5-year-old girl is trapped in a car under fire in Gaza, pleading for rescue. While trying to keep her on the line, they do everything they can to get an ambulance to her. Her name was Hind Rajab.

SHOWING FEBRUARY 13-26 | Winner of the Golden Lion Best Film prize at the 2025 Venice Film Festival, FATHER MOTHER SISTER BROTHER is the eagerly-awaited new film from Jim Jarmusch. Funny, tender and astutely observed, this is an intimate exploration of the universal intricacies of family dynamics. Starring Tom Waits, Adam Driver, Mayim Bialik, Charlotte Rampling, Cate Blanchett, Vicky Krieps, Indya Moore and Luka Sabbat.

SHOWING SATURDAY, MARCH 21 & SUNDAY, MARCH 29 | After years of anticipation, a truly unmissable event arrives in cinemas worldwide on March 21 as the electrifying Lise Davidsen tackles one of the ultimate roles for dramatic soprano: the Irish princess Isolde in Wagner’s transcendent meditation on love and death. Heroic tenor Michael Spyres stars opposite Davidsen as the love-drunk Tristan. The momentous occasion also marks the advent of a new, Met-debut staging by Yuval Sharon—hailed by The New York Times as “the most visionary opera director of his generation” and the first American to direct an opera at the famed Wagner festival in Bayreuth—as well as Music Director Yannick Nézet-Séguin’s first time leading Tristan und Isolde at the Met.

SHOWING SATURDAY, MAY 2 & SUNDAY, MAY 10 | Following her acclaimed 2024 company debut in Puccini’s Madama Butterfly, soprano Asmik Grigorian returns to the Met as Tatiana, the lovestruck young heroine in this ardent operatic adaptation of Pushkin, which will be transmitted live from the Metropolitan Opera stage to cinemas worldwide on May 2. Baritone Igor Golovatenko reprises his portrayal of the urbane Onegin, who realizes his affection for her all too late.