ONE NIGHT ONLY ~ MAY 6 | *4K Restoration* The extraordinary, internationally embraced Yi Yi (A One and a Two . . .), directed by the late Taiwanese master Edward Yang, follows a middle-class family in Taipei over the course of one year, beginning with a wedding and ending with a funeral. Whether chronicling middle-age father NJ’s tentative flirtations with an old flame or precocious young son Yang-Yang’s attempts at capturing reality with his beloved camera, the filmmaker deftly imbues every gorgeous frame with a compassionate clarity. Warm, sprawling, and dazzling, this intimate epic is one of the undisputed masterworks of the new century.

SHOWING MAY 8-14 | Adapted from Sunil Gangopadhyay’s celebrated 1968 novel, Days and Nights in the Forest is one of director Satyajit Ray’s greatest achievements, a modern search for connection that conjures the timeless resonance of a folktale. Desperate to flee Calcutta’s rat race, four friends—Ashim (Soumitra Chatterjee), Sanjoy (Subhendu Chatterjee), Hari (Samit Bhanja), and Shekhar (Rabi Ghosh)—drive to Palamu, one of India’s rural “tribal lands,” where they bribe a watchman into letting them stay at a sylvan guesthouse. Despite vowing to get away from it all, the crew soon mixes with the locals, including a woodland family: the soulful yet mischievous Aparna (Sharmila Tagore) takes to the overconfident Ashim, while her widowed sister-in-law Jaya (Kaberi Bose) grows closer to the bookish Sanjoy. At the same time, Hari, fresh off a break-up, woos a Santal girl named Duli (Simi Garewal); and Shekhar, despite his own penchant for gambling, tries to rein in his companions’ boozy hedonism. Filled with some of Ray’s most indelible characterizations and lavish images (shot by longtime cinematographer Soumendu Roy), Days and Nights in the Forest touches on masculine vulnerabilities and Indian class divisions with the graceful complexity of a master at his peak. 4K RESTORATION

SHOWING MAY 15-28 | In the late 1990s, eight-year-old Sasha and her family relocate to a new home on Vancouver Island, but their fresh start is interrupted by increasingly dangerous behavior from the eldest son, Jeremy. At wit’s end, their parents are presented with a shattering choice. Award-winning director Sophy Romvari’s feature debut is a lyrical and profound testament to the things we carry with us, masterfully chronicling the haze of a languid summer and the hyaline clarity of the moments that defined it.

SHOWING MAY 15-21 | Resurrection, ancient prophecies, and globe-spanning adventures—this is the outrageous true story of Patrick McCollum, an eccentric spiritual leader who’s been identified by Indigenous Elders as the man foretold to fulfill a sacred prophecy to save the Amazon. Pulled into Patrick’s world, acclaimed director Gabe Polsky embarks on a surreal journey where the absurd and the profound blur, and nothing is quite what it seems.

ONE NIGHT ONLY - MAY 20 | In one of those wonderful coincidences of history, lumière, the French word for “light,” was also the last name of brothers Auguste and Louis, whose brilliant invention, the cinematograph, helped to inaugurate the most beloved art form of the last 130 years. Institute Lumière director Thierry Frémaux uses Lumière, Le Cinema! to guide the viewer through over a hundred shorts—some famous, some forgotten, some never before seen—directed by Lumière and company. In the process, Frémaux illuminates how the brothers employed the camera as a creative instrument as they (and their operators) mastered framing, staging, and subject selection for quotidian and exotic microdocumentaries as well as the first ever fictional motion pictures. The result is not only a glorious re(telling) of the genesis of cinema but a profound meditation on the beautiful world captured—and the mysterious world imagined—by the Lumières.

SHOWING MAY 22-JUNE 4 | Based on a remarkable true story, discover how the poor son of a miner became Richard Burton, one of the greatest actors the world has ever known, with the help of an unlikely mentor. In the Welsh town of Port Talbot, 1942, Richard Jenkins (Harry Lawtey) lives as a wayward schoolboy, caught between the pressures of his struggling family, a devastating war, and his own ambitions. However, a new opportunity arises when Richard’s natural talent for drama catches the attention of his teacher, Philip Burton (BAFTA winner Toby Jones). Taking Richard under his wing, the young man thrives thanks to Philip’s strict tutelage and the guidance of kindly landlady, Ma Smith (Academy Award nominee Lesley Manville). However, as the acting world comes within Richard’s reach, the burden of his past risks holding him back forever.

SHOWING MAY 28 & 31 | Nicola Coughlan (Bridgerton) joins Éanna Hardwicke (The Sixth Commandment) and Siobhán McSweeney (Derry Girls) in John Millington Synge’s riveting play of youth and self-discovery.

SHOWING MAY 29-JUNE 11 | Julian Sklar (Ian McKellen) was once a star of London’s 1960’s and 70’s pop art explosion, but he hasn’t painted in decades and has been broke for years. His two estranged children (James Corden, Jessica Gunning), desperate for an inheritance, hire Lori, an art restorer and former forger (Michaela Coel), to pose as a prospective assistant in order to access 8 unfinished canvases Julian has buried deep in storage. Her plan is to complete them, then return them to storage, where they are to be “discovered” upon Julian’s death.

SHOWING SATURDAY, MAY 30 & SUNDAY, JUNE 7 | On May 30, the Metropolitan Opera’s 2025–26 Live in HD season comes to a close with a live transmission of American composer Gabriela Lena Frank’s first opera, a magical-realist portrait of Mexico’s painterly power couple Frida Kahlo and Diego Rivera, with libretto by Pulitzer Prize–winning playwright Nilo Cruz. Fashioned as a reversal of the Orpheus and Euridice myth, the story depicts Frida, sung by leading mezzo-soprano Isabel Leonard, leaving the underworld on the Day of the Dead and reuniting with Diego, portrayed by baritone Carlos Álvarez. The famously feuding pair briefly relive their tumultuous love, embracing both the passion and the pain before bidding the land of the living a final farewell. Music Director Yannick Nézet-Séguin conducts the Met-premiere staging.

SHOWING JUNE 5-11 | Sigurd Lewerentz is one of the most famous Swedish architects, considered a master of the profession internationally. His unique solutions were decades ahead of their time. Lewerentz did not want to be filmed or interviewed. His person, like his buildings, is surrounded by a mysterious aura. But in a root cellar in Lund, there is an unknown treasure. Film reels and audio tapes recorded by the architect Bernt Nyberg with Lewerentz during his last years are stored here. From the cellar, a culturalhistorical journey begins, where the stylistic traces of Lewerentz within Nordic architecture become palpable. Classicism and modernism converge in a poetic brutality that awakens our deepest and most archaic cultural memories.

SHOWING JUNE 12-18 | Bebo, a teenager from a coastal Puerto Rican town, lives with his brother in a public housing complex. They fish for a living, but growing desperation drives them to illegal dealings that promise easy money. When a job goes wrong and blood is spilled, Bebo flees with Lola, a wealthy girl seeking to escape her troubled reality. As they navigate the labyrinthine mountains, they encounter remnants of a fading way of life, contrasting with the violence that follows them. As hitmen close in, Bebo must confront his choices and decide if redemption is possible, or if the sea will be their final escape.

ONE NIGHT ONLY ~ JUNE 14 | In his controversial masterpiece The Great Dictator, Charlie Chaplin offers both a cutting caricature of Adolf Hitler and a sly tweaking of his own comic persona. Chaplin, in his first pure talkie, brings his sublime physicality to two roles: the cruel yet clownish “Tomainian” dictator and the kindly Jewish barber who is mistaken for him. Featuring Jack Oakie and Paulette Goddard in stellar supporting turns, The Great Dictator, boldly going after the fascist leader before the U.S.’s official entry into World War II, is an audacious amalgam of politics and slapstick that culminates in Chaplin’s famously impassioned speech.