SHOWING JUNE 19-25 | *30th Anniversary 4K Restoration* The history of LGBTQ+ representation in Hollywood is traced from early coded portrayals and damaging stereotypes to more open and nuanced depictions. Narrator Lily Tomlin reflects on cinema’s role in shaping—and distorting—queer visibility. Collecting footage from over 100 movies and interviews with many of the filmmakers and actors who created them (including Tom Hanks, Shirley MacLaine, Susan Sarandon, Whoopi Goldberg, Tony Curtis, and Gore Vidal), THE CELLULOID CLOSET is a funny and insightful look at a changing century.

MADE IN NEBRASKA SERIES - WEDNESDAY, JUNE 24 | In the late 1950s, a hostage situation in rural Nebraska results in the tragic death of a young girl. While transporting the injured killer back to town, local sheriff Henry Fisher (Beau Kiger), his brother Jack (Michael Haskins) and sometimes friend Bob Halloran (Brandon Eaton) decide to indulge in vigilante justice, killing the murderer before he can be brought to trial. Although it seems like an easy decision at the time, it will come to haunt the three men and maybe even destroy them.

SHOWING JUNE 25 & 28 | BAFTA Award-winner Lesley Manville (Phantom Thread) joins Aidan Turner (Rivals) in a striking new staging of Christopher Hampton’s celebrated adaptation of the classic novel, where among the glittering salons of the super-rich, one misstep can mean ruin.

SHOWING JUNE 26-JULY 9 | Tracking a single day’s journey into and around the Nigerian metropolis, Folarin (Sopé Dìrísù, Slow Horses, Gangs of London) and his young sons Akin (Godwin Egbo) and Remi (Chibuike Marvellous Egbo) reckon with their relationship while navigating a city on the precipice of democratic crisis. As shadows grow long across Lagos and details of Folarin’s life come to light, the strained nature of his connection to Akin and Remi becomes increasingly clear.

SHOWING JUNE 26-JULY 9 | One of international cinema’s most fearless and provocative filmmakers, Nadav Lapid once again takes vigorous critical aim at the Israeli government with a new approach: submission. In the days following October 7, Y., a jazz musician, and his wife Yasmin, a dancer, resolve to say yes to everything. Y. and Yasmin sell their bodies and souls to the highest bidder, surrendering themselves and their art to Israel’s social, political and military elite. Soon, Y. is entrusted with a mission of the utmost importance: to compose the music for a rousing, ruthless new national anthem. Feverishly whirling between moments of satire, sincerity, and complete submission, Yes is a visceral, blistering indictment of modern Israel, and an essential addition to post-October 7 cinema.

MADE IN NEBRASKA SERIES - WEDNESDAY, JULY 1 | Cantankerous old buzzard Woody Grant (Bruce Dern) can barely walk down the street of his home in Billings, Mont., without stopping for a drink. So when Woody receives a sweepstakes notice in the mail and insists on making a 750-mile trip to Lincoln, Neb., to collect his prize, it falls to baffled son David (Will Forte) to accompany him. During a stop in their Nebraska hometown, word gets out about Woody’s fortune, first making him a hero, then later, the target of predatory people.

SPECIAL SCREENING - THURSDAY, JULY 2 | A delirious mix of punk nihilism and deadpan irony, the first film in Gregg Araki’s Teen Apocalypse Trilogy puts an audaciously queer spin on Jean-Luc Godard’s classic Masculin féminin. Across fifteen jagged episodes, Totally F***ed Up plunges headlong into the lives of a group of queer, disaffected Los Angeles teenagers who form a kind of makeshift family as they navigate desire and heartbreak, societal and familial rejection, and the alienation of growing up gay in an era of relentless moralizing. Both a defiantly raw anthem of outsiderhood and a furious reckoning with all-American homophobia, Araki’s answer to the 1980s teen comedy captures youthful angst with an immediacy that still bruises.

SHOWING SUNDAY, JULY 5 | This cornerstone of 1970s American moviemaking from Robert Altman is a panoramic view of the country’s political and cultural landscapes, set in the nation’s music capital. Nashville weaves the stories of twenty-four characters—from country star to wannabe to reporter to waitress—into a cinematic tapestry that is equal parts comedy, tragedy, and musical. Many members of the astonishing cast wrote their own songs and performed them live on location, which lends another layer to the film’s quirky authenticity. Altman’s ability to get to the heart of American life via its eccentric byways was never put to better use than in this grand, rollicking triumph, which barrels forward to an unforgettable conclusion.

ONE NIGHT ONLY ~ TUESDAY, JULY 7 | In 1944 in Spain, Ofelia and her ailing mother arrive at the post of her mother's new husband, a sadistic army officer who is trying to quell a guerrilla uprising. While exploring an ancient maze, Ofelia encounters the faun Pan, who tells her that she is a legendary lost princess and must complete three dangerous tasks in order to claim immortality.

MADE IN NEBRASKA SERIES - WEDNESDAY, JULY 8 | Only a handful of Native American fluent speakers remain of the Omaha Tribe. Fluent speaking elders reflect on growing up speaking their native language and the importance of preservation. Hopefulness is expressed by a dedicated group of educators attempts to keep their language alive.

SPECIAL SCREENING - THURSDAY, JULY 9 | Gregg Araki takes a road trip to hell in this wild, meth- and fast-food-fueled joyride through the margins of a menacing American wasteland. When they inadvertently link up with a dangerously alluring drifter (Johnathon Schaech), a chilled-out Cali bro (James Duval) and his spiky, foulmouthed girlfriend (Rose McGowan) find themselves on an increasingly violent, kinky, and darkly comic journey in which erotic tensions rise along with the body count. Working with a significant budget for the first time, Araki employs boldly stylized lighting and art direction to create a heightened sense of unreality in a shocking, shoegaze-soundtracked chronicle of young lives careening toward oblivion.

SHOWING JULY 10-16 | Stolen Kingdom delves into the history of mischief, scandal, and theft at Walt Disney World, ultimately leading to the theft of an animatronic valued at nearly half a million dollars. The film features key figures from the park’s underground exploration community, each sharing their unique stories. As the narrative unfolds, early pranks and antics are shown to have inspired more recent crimes, culminating in a true crime mystery. What begins as a tale of friendship and passion ends with one lingering question: Who stole Buzzy?