SHOWING WEDNESDAY, APRIL 8. PART OF 'A TRIBUTE TO NEBRASKA'S JOAN MICKLIN SILVER' ~ Joan Micklin Silver’s remarkable feature debut is a vivid, lovingly detailed evocation of the late-nineteenth-century Jewish Lower East Side built around a luminous, Academy Award–nominated performance from Carol Kane as Gitl, a young woman from Eastern Europe who arrives in New York to join her husband Yankel (Steven Keats) who has already emigrated. While Yankel, who now goes by Jake, has quickly acclimated to life in America—and even begun an affair with a dancer—Gitl initially struggles to assimilate. As she attempts to find her place within an unfamiliar culture, Gitl must find a way to become a victor instead of a victim.

SHOWING THURSDAY, APRIL 9. PART OF 'A TRIBUTE TO NEBRASKA'S JOAN MICKLIN SILVER' ~ Inspired by Joan Micklin Silver’s time working at New York’s storied alt weekly the “Village Voice,” this unsung gem of 1970s slice-of-life seriocomedy offers an incisive, bittersweet look at a shifting media landscape that feels as fresh and relevant as ever. At the offices of a Boston independent newspaper, the staff members—including music critic Max (Jeff Goldblum, in one of his first leading roles), news reporter Harry (John Heard) and photographer Abbie (Lindsay Crouse)—enjoy a positive and open-minded work environment. However, it seems as though their relatively carefree days are numbered when the owner of a major publishing company buys the paper, leading to more money, but big changes.

SHOWING APRIL 10-16 | An actress (Amanda Peet) falls for the anxious law school dropout (Matthew Shear) babysitting her kids in this smart, New York-set romantic comedy.

SHOWING FRIDAY, APRIL 10. PART OF 'A TRIBUTE TO NEBRASKA'S JOAN MICKLIN SILVER' ~ The trailblazing Joan Micklin Silver digs fearlessly into the psychology of a thorny relationship in this anti–romantic comedy, based on Ann Beattie’s best-selling novel, about lovelorn civil servant Charles (John Heard) and his married-but-separated coworker Laura (Mary Beth Hurt). Months after their affair has ended, Charles is haunted by memories as he desperately attempts to rekindle a love that perhaps never was. Switching deftly between past and present, Micklin Silver guides this piercing deconstruction of male wish-fulfillment fantasy beyond standard movie-romance tropes into something more complicated and cuttingly truthful.

SHOWING SATURDAY, APRIL 11. PART OF 'A TRIBUTE TO NEBRASKA'S JOAN MICKLIN SILVER' ~ Joan Micklin Silver’s wonderfully affectionate spin on the romantic comedy infuses the genre with a fresh, personal perspective, following an unmarried Jewish woman’s search for fulfillment in New York City. Happily independent bookstore manager Izzy (a luminous Amy Irving) isn’t looking for love, but she’s forced to reevaluate her desires when she catches the eye of two very different men: a self-centered novelist (Jeroen Krabbé) and the mild-mannered Lower East Side pickle seller (Peter Riegert) with whom her old-fashioned bubbie (scene-stealing Yiddish-theater star Reizl Bozyk) sets her up. A love letter to 1980s Manhattan shot in beautifully burnished, autumnal tones, Crossing Delancey gracefully captures the magic of a city where disparate cultures, generations, and traditions both clash and connect.

SHOWING SUNDAY, APRIL 12. PART OF 'A TRIBUTE TO NEBRASKA'S JOAN MICKLIN SILVER' ~ Legendary comedy duo (and real-life husband and wife) Jerry Stiller and Anne Meara star as the constantly bickering couple at the center of this sprightly comedy from writer-director Joan Micklin Silver. When Sam (Stiller) stubbornly refuses to get rid of the new pet carp he’s unleashed in their bathtub, Molly (Meara) finally decides she’s had enough and moves in with their married son Joel (a young Mark Ruffalo). Desperate to get his mother out of his hair (and house), Joel enlists his boy-crazed travel-agent sister (Jane Adams) to help repair their parent’s relationship—even as he’s tempted toward infidelity by a flirtatious client (Pamela Gray).

ONE NIGHT ONLY ~ APRIL 15 | With his senses-ravishing third feature, visionary director Bi Gan takes his deepest plunge yet into the realm of pure cinematic dreamscape. In a world where humans have forsaken dreams in exchange for immortality, a dreaming monster (Jackson Yee) embarks on a shape-shifting odyssey through illusion, beauty, and terror that takes him across the twentieth century and to the end of time. Unfolding in five dazzlingly imagined chapters that encompass everything from silent-cinema expressionism to film noir to a delirious vampire love story shot in one of Bi’s signature long takes, Resurrection is a work of breathtaking imagination in which cinema is the ultimate portal to the unconscious mind. **$1.00 STUDENT TICKETS AVAILABLE AT THE BOX OFFICE FOR STUDENT NIGHT**

SHOWING APRIL 16 & 19 | Bryan Cranston (Breaking Bad) and Marianne Jean-Baptiste (Hard Truths) feature in a five-star, triumphantly acclaimed new production of Arthur Miller’s classic play, from visionary director Ivo Van Hove (A View from the Bridge).

SHOWING APRIL 17-23 | IMMEDIATE FAMILY tracks the rise and collaborations of a group of legendary session musicians Danny Kortchmar, Leland Sklar, Russ Kunkel, and Waddy Wachtel through the 1970s and onward, chronicling their illustrious partnerships and their formidable record of hit-making.

SHOWING APRIL 17-23 | As Russia launches its full-scale invasion of Ukraine, primary schools across Russia are transformed into recruitment stages for the war. Facing the ethical dilemma of working in a system defined by propaganda and violence, a brave teacher films what’s really happening in his own school. *Academy Award Winner: Best Documentary Feature*

SHOWING APRIL 24-MAY 7 | Kirk Jones’ emotionally engaging, funny and compelling film charts John Davidson’s Tourette’s diagnosis at the age of 14 years old. Set within 1980s Britain, the story follows him throughout his troubled teens and early adulthood, and explores this little known and entirely misunderstood condition, along with his attempts to live a ‘normal’ life against the odds.

ONE NIGHT ONLY ~ TUESDAY, APRIL 28 | Guillermo del Toro made an auspicious and audacious feature debut with Cronos, a highly unorthodox tale about the seductiveness of the idea of immortality. Kindly antiques dealer Jesús Gris (Federico Luppi) happens upon an ancient golden device in the shape of a scarab, and soon finds himself the possessor and victim of its sinister, addictive powers, as well as the target of a mysterious American named Angel (a delightfully crude and deranged Ron Perlman). Featuring marvelous makeup effects and the haunting imagery for which del Toro has become world-renowned, Cronos is a dark, visually rich, and emotionally captivating fantasy.