ONE NIGHT ONLY ~ APRIL 15 | With his senses-ravishing third feature, visionary director Bi Gan takes his deepest plunge yet into the realm of pure cinematic dreamscape. In a world where humans have forsaken dreams in exchange for immortality, a dreaming monster (Jackson Yee) embarks on a shape-shifting odyssey through illusion, beauty, and terror that takes him across the twentieth century and to the end of time. Unfolding in five dazzlingly imagined chapters that encompass everything from silent-cinema expressionism to film noir to a delirious vampire love story shot in one of Bi’s signature long takes, Resurrection is a work of breathtaking imagination in which cinema is the ultimate portal to the unconscious mind. **$1.00 STUDENT TICKETS AVAILABLE AT THE BOX OFFICE FOR STUDENT NIGHT**

SHOWING APRIL 16 & 19 | Bryan Cranston (Breaking Bad) and Marianne Jean-Baptiste (Hard Truths) feature in a five-star, triumphantly acclaimed new production of Arthur Miller’s classic play, from visionary director Ivo Van Hove (A View from the Bridge).

ONE NIGHT ONLY ~ TUESDAY, APRIL 28 | Guillermo del Toro made an auspicious and audacious feature debut with Cronos, a highly unorthodox tale about the seductiveness of the idea of immortality. Kindly antiques dealer Jesús Gris (Federico Luppi) happens upon an ancient golden device in the shape of a scarab, and soon finds himself the possessor and victim of its sinister, addictive powers, as well as the target of a mysterious American named Angel (a delightfully crude and deranged Ron Perlman). Featuring marvelous makeup effects and the haunting imagery for which del Toro has become world-renowned, Cronos is a dark, visually rich, and emotionally captivating fantasy.

ONE NIGHT ONLY ~ APRIL 29 | *4K Restoration* The rarely screened Four Nights of a Dreamer is Robert Bresson’s great forgotten masterpiece, a stark yet haunting ode to romantic idealism and the capriciousness of love. Adapted from Fyodor Dostoevsky’s “White Nights,” Four Nights follows Jacques (Guillaume des Forêts), a lonely artist who roams bohemian Paris in search of the girl of his dreams. One night he saves a beautiful young woman, Marthe, from plunging into the Seine in despair over her rejection by an avoidant lover (Maurice Monnoyer). Jacques compassionately attempts to reunite Marthe with her beau, but his feelings for his new friend soon become less than platonic and his investment in her personal drama far from selfless.

SHOWING SATURDAY, MAY 2 & SUNDAY, MAY 10 | Following her acclaimed 2024 company debut in Puccini’s Madama Butterfly, soprano Asmik Grigorian returns to the Met as Tatiana, the lovestruck young heroine in this ardent operatic adaptation of Pushkin, which will be transmitted live from the Metropolitan Opera stage to cinemas worldwide on May 2. Baritone Igor Golovatenko reprises his portrayal of the urbane Onegin, who realizes his affection for her all too late.

ONE SCREENING ONLY ~ Sunday, May 3 @ 1:30 p.m. | Celebrating the 250th anniversary of their births, this unmissable new documentary explores Turner and Constable’s intertwined lives and legacies alongside the groundbreaking Tate exhibition. All tickets $10.

ONE NIGHT ONLY ~ MAY 6 | *4K Restoration* The extraordinary, internationally embraced Yi Yi (A One and a Two . . .), directed by the late Taiwanese master Edward Yang, follows a middle-class family in Taipei over the course of one year, beginning with a wedding and ending with a funeral. Whether chronicling middle-age father NJ’s tentative flirtations with an old flame or precocious young son Yang-Yang’s attempts at capturing reality with his beloved camera, the filmmaker deftly imbues every gorgeous frame with a compassionate clarity. Warm, sprawling, and dazzling, this intimate epic is one of the undisputed masterworks of the new century.

ONE NIGHT ONLY - MAY 20 | In one of those wonderful coincidences of history, lumière, the French word for “light,” was also the last name of brothers Auguste and Louis, whose brilliant invention, the cinematograph, helped to inaugurate the most beloved art form of the last 130 years. Institute Lumière director Thierry Frémaux uses Lumière, Le Cinema! to guide the viewer through over a hundred shorts—some famous, some forgotten, some never before seen—directed by Lumière and company. In the process, Frémaux illuminates how the brothers employed the camera as a creative instrument as they (and their operators) mastered framing, staging, and subject selection for quotidian and exotic microdocumentaries as well as the first ever fictional motion pictures. The result is not only a glorious re(telling) of the genesis of cinema but a profound meditation on the beautiful world captured—and the mysterious world imagined—by the Lumières.

SHOWING MAY 28 & 31 | Nicola Coughlan (Bridgerton) joins Éanna Hardwicke (The Sixth Commandment) and Siobhán McSweeney (Derry Girls) in John Millington Synge’s riveting play of youth and self-discovery.

SHOWING SATURDAY, MAY 30 & SUNDAY, JUNE 7 | On May 30, the Metropolitan Opera’s 2025–26 Live in HD season comes to a close with a live transmission of American composer Gabriela Lena Frank’s first opera, a magical-realist portrait of Mexico’s painterly power couple Frida Kahlo and Diego Rivera, with libretto by Pulitzer Prize–winning playwright Nilo Cruz. Fashioned as a reversal of the Orpheus and Euridice myth, the story depicts Frida, sung by leading mezzo-soprano Isabel Leonard, leaving the underworld on the Day of the Dead and reuniting with Diego, portrayed by baritone Carlos Álvarez. The famously feuding pair briefly relive their tumultuous love, embracing both the passion and the pain before bidding the land of the living a final farewell. Music Director Yannick Nézet-Séguin conducts the Met-premiere staging.

SHOWING JUNE 25 & 28 | BAFTA Award-winner Lesley Manville (Phantom Thread) joins Aidan Turner (Rivals) in a striking new staging of Christopher Hampton’s celebrated adaptation of the classic novel, where among the glittering salons of the super-rich, one misstep can mean ruin.