SUNDAY, OCTOBER 25 ~ A mysterious invitation brings six strangers to a secluded mansion for an unconventional dinner party where each guest receives a pseudonym. As they learn more about their host, Mr. Boddy (Lee Ving), via his butler, Wadsworth (Tim Curry), the group quickly realizes that Boddy has a devious plan in mind for all of them. And that’s when people start to die.

SUNDAY, OCTOBER 25 ~ With A Ghost Story, acclaimed director David Lowery (Ain’t Them Bodies Saints, Pete’s Dragon) returns with a singular exploration of legacy, loss, and the essential human longing for meaning and connection. Recently deceased, a white-sheeted ghost (Academy Award-winner Casey Affleck) returns to his suburban home to console his bereft wife (Academy Award-nominee Rooney Mara), only to find that in his spectral state he has become unstuck in time, forced to watch passively as the life he knew and the woman he loves slowly slip away. Increasingly unmoored, the ghost embarks on a cosmic journey through memory and history, confronting life’s ineffable questions and the enormity of existence. An unforgettable meditation on love and grief, A Ghost Story emerges ecstatic and surreal—a wholly-unique experience that lingers long after the credits roll.

SHOWING THURSDAY, OCTOBER 29 WITH LIVE ACCOMPANIMENT BY THE ANVIL ORCHESTRA. When The Adventures of Prince Achmed premiered to German audiences in 1926, it was hailed as the first full-length animated film. Taken from the tales known as the Arabian Nights, the film tells the story of a young prince tricked by a wicked sorcerer into mounting a magical, flying horse for a direct course to his own demise. Soaring headlong into a series of wondrous adventures, and joining forces with the likes of Aladdin and a fabled witch, the prince evades his fate by saving a beautiful princess and doing battle with the sorcerer’s army of monsters. Beautifully restored with color tinting, the thrilling, sensuous and dazzling Prince Achmed will amaze and enthrall audience of all ages.

SHOWING FRIDAY, OCTOBER 30 WITH LIVE ACCOMPANIMENT BY THE ANVIL ORCHESTRA. Josef von Sternberg’s riveting breakthrough is widely considered the film that launched the American gangster genre as we know it. George Bancroft plays heavy Bull Weed, a criminal kingpin whose jealous devotion to his moll, Feathers (Evelyn Brent), gets him into hot water with a rival hood and, ultimately, the authorities. Further complicating matters is the attraction that blossoms between Feathers and an alcoholic former lawyer (Clive Brook). With its supple, endlessly expressive camera work and tightly wound screenplay based on a story by legendary scribe Ben Hecht (who won an Oscar for it the first year the awards were given), Underworld solidified von Sternberg’s place as one of Hollywood’s most exciting new talents.

SHOWING WEDNESDAY, NOVEMBER 4. Free tickets for Friends of The Ross members are available at the Ross Box Office (not available online). **In this fantastic voyage through time and space from Terry Gilliam, a boy named Kevin (Craig Warnock) escapes his gadget-obsessed parents to join a band of time-traveling dwarfs. Armed with a map stolen from the Supreme Being (Ralph Richardson), they plunder treasure from Napoleon (Ian Holm) and Agamemnon (Sean Connery)—but the Evil Genius (David Warner) is watching their every move. Featuring a darkly playful script by Gilliam and his Monty Python cohort Michael Palin (who also appears in the film), Time Bandits is at once a giddy fairy tale, a revisionist history lesson, and a satire of technology gone awry.

TUESDAY, NOVEMBER 10 *Free tickets for Friends of The Ross members are available at the Ross Box Office (not available online)* ~ The contemporary American auteur Michael Mann’s bold artistic sensibility was already fully formed when he burst out of the gate with Thief, his debut feature. James Caan stars, in one of his most riveting performances, as a no-nonsense ex-con professional thief planning to leave the criminal world behind after one last score—but he discovers that escape is not as simple as he’d hoped. Finding hypnotic beauty in neon and rain-slick streets, sparks and steel, Thief effortlessly established the moody stylishness, tactile approach, and drama that would also define such later iconic Mann films as Heat, The Insider, Ali, and The Last of the Mohicans.

FATHERLAND centres on the relationship between the Nobel Prize-winning writer Thomas Mann (Hanns Zischler) and his daughter Erika (Sandra Hüller) – actress, writer and rally driver. In the summer of 1949, at the height of the Cold War, father and daughter embark on a challenging and emotional road trip in a black Buick taking them across a Germany in ruins – from US dominated Frankfurt to Soviet controlled Weimar. Returning home after sixteen years of exile in the US, Thomas Mann has to face not only a divided fatherland, but also a deep fracture within his own family.

Ever since his beloved wife was horribly burned in an auto accident, Dr. Robert Ledgard (Antonio Banderas), a skilled plastic surgeon, has tried to develop a new skin that could save the lives of burn victims. Finally, after 12 years, Ledgard has created a skin that guards the body, but is still sensitive to touch. With the aid of his faithful housekeeper (Marisa Paredes), Ledgard tests his creation on Vera (Elena Anaya), who is held prisoner against her will in the doctor’s mansion.

This Oscar-winning melodrama, one of Pedro Almodóvar’s most beloved films, provides a dizzying, moving exploration of the meaning of motherhood. In an instant, nurse Manuela (Cecilia Roth) loses the teenage son she raised on her own. Grief-stricken, she sets out to search for the boy’s long-lost father in Barcelona, where she reawakens into a new maternal role, at the head of a surrogate family that includes a pregnant, HIV-positive nun (Penélope Cruz); an illustrious star of the stage (Marisa Paredes); and a transgender sex worker (Antonia San Juan). Beautifully performed and bursting with cinematic references, All About My Mother is a vibrant tribute to female fortitude, a one-of-a-kind family portrait, and a work of boundless compassion.

Raimunda (Penélope Cruz) and her sister Sole lost their parents in a tragic fire years ago…or did they? Superstitious villagers claim that the girls’ departed mother, Irene (Carmen Maura), has been seen wandering around their Aunt Paula’s home. When Irene appears to Sole, she explains that she has returned to set right her daughters’ troubled lives and reveal shocking secrets that will impact everyone! Raimunda has “female troubles” of her own, least of which is a corpse in the freezer! Winner of numerous film festival and critics’ awards, VOLVER is a hilarious tale of love, loss and forgiveness.

Melding melodrama with screwball farce, this Academy Award–nominated black comedy was Pedro Almodóvar’s international breakthrough and secured his place at the vanguard of modern Spanish cinema. Continuing the auteur’s exploration of the female psyche, Women on the Verge of a Nervous Breakdown tells the story of Pepa—played by the director’s frequent collaborator Carmen Maura—who resolves to kill herself with a batch of sleeping-pill-laced gazpacho after her lover leaves her. Fortunately, she is interrupted by a deliciously chaotic series of events. The filmmaker channeled Hollywood inspiration into his own unique vision, arriving at the irreverent humor and vibrant visual sense that define his work today. With an exceptional ensemble cast that also includes Antonio Banderas and Rossy de Palma, this film shows an artist in total control of his craft.

SHOWING WEDNESDAY, DECEMBER 2. Free tickets for Friends of The Ross members are available at the Ross Box Office (not available online). **With Scanners, David Cronenberg plunges us into one of his most terrifying and thrilling sci-fi worlds. After a man with extraordinary—and frighteningly destructive—telepathic abilities is nabbed by agents from a mysterious rogue corporation, he discovers he is far from the only possessor of such strange powers, and that some of the other “scanners” have their minds set on world domination, while others are trying to stop them. A trademark Cronenberg combination of the visceral and the cerebral, this phenomenally gruesome and provocative film about the expanses and limits of the human mind was the Canadian director’s breakout hit in the United States.