SATURDAY, OCTOBER 17 ~ Francesco Dellamorte (Rupert Everett) is the groundskeeper at a cemetery where the dead just won’t stay dead—and it’s up to him to deal with those who come back to life with a hunger for human flesh. But Dellamorte’s job soon becomes much more complicated when he falls for an enigmatic young woman (Anna Falchi) whose husband has recently died. Based on the novel by Tiziano Sclavi (DYLAN DOG) and directed by Michele Soavi (THE CHURCH), CEMETERY MAN is a late masterpiece of Italian horror: quirky, gory, romantic, and unlike anything else.

SUNDAY, OCTOBER 18 ~ Yeon Sang-ho’s global phenomenon TRAIN TO BUSAN arrives back in theaters to celebrate its 10th Anniversary. What begins as a simple birthday trip for a father and daughter turns into a high-octane fight for survival when a zombie outbreak ravages South Korea. Trapped on a speeding train, they must navigate a landscape of terror to reach safety. Experience the relentless action and heart-wrenching drama on the big screen like never before.

WEDNESDAY, OCTOBER 21 ~ For 19-year-old Jay (Maika Monroe), the fall should be about school, boys and weekends at the lake. Yet after a seemingly innocent sexual encounter, she finds herself plagued by nightmarish visions and the inescapable sense that someone, or something, is following her. As the threat closes in, Jay and her friends must find a way to escape the horrors that are only a few steps behind. $1 STUDENT NIGHT TICKETS AVAILABLE AT THE ROSS BOX OFFICE.

WEDNESDAY, OCTOBER 21 ~ In the haunting feature debut from writer/director Adrian Chiarella, two teenage boys (Joe Bird, Stacy Clausen) must escape a violent entity that takes the form of the person they desire most — each other. $1 STUDENT NIGHT TICKETS AVAILABLE AT THE ROSS BOX OFFICE.

FRIDAY, OCTOBER 23 ~ Strange things are afoot in Bad City. The Iranian ghost town, home to prostitutes, junkies, pimps, and other sordid souls, is a place that reeks of death and hopelessness, where a lonely vampire is stalking the towns most unsavory inhabitants. But when boy meets girl, an unusual love story begins to blossom…blood red.

FRIDAY, OCTOBER 23 ~ When Oskar (Kåre Hedebrant), a sensitive, bullied 12-year-old boy living with his mother in suburban Sweden, meets his new neighbor, the mysterious and moody Eli (Lina Leandersson), they strike up a friendship. Initially reserved with each other, Oskar and Eli slowly form a close bond, but it soon becomes apparent that she is no ordinary young girl. Eventually, Eli shares her dark, macabre secret with Oskar, revealing her connection to a string of bloody local murders.

SATURDAY, OCTOBER 24 ~ Maria, a young woman finds refuge in a house in the south of Chile after escaping from a sect of German religious fanatics. She is welcomed into the home by two pigs, the only inhabitants of the place. Like in a dream, the universe of the house reacts to Maria’s feelings. The animals transform slowly into humans and the house becomes a nightmarish world. Inspired on the actual case of Colonia Dignidad, “The Wolf House” masquerades as an animated fairy tale produced by the leader of the sect in order to indoctrinate its followers.

SATURDAY, OCTOBER 24 ~ When all but one child from the same class mysteriously vanish on the same night at exactly the same time, a community is left questioning who or what is behind their disappearance. Zach Cregger spins an expertly crafted yarn of terrifying mystery and thrilling intrigue in WEAPONS, a sophomore triumph that solidifies his status as a master of horror.

SUNDAY, OCTOBER 25 ~ A mysterious invitation brings six strangers to a secluded mansion for an unconventional dinner party where each guest receives a pseudonym. As they learn more about their host, Mr. Boddy (Lee Ving), via his butler, Wadsworth (Tim Curry), the group quickly realizes that Boddy has a devious plan in mind for all of them. And that’s when people start to die.

SUNDAY, OCTOBER 25 ~ With A Ghost Story, acclaimed director David Lowery (Ain’t Them Bodies Saints, Pete’s Dragon) returns with a singular exploration of legacy, loss, and the essential human longing for meaning and connection. Recently deceased, a white-sheeted ghost (Academy Award-winner Casey Affleck) returns to his suburban home to console his bereft wife (Academy Award-nominee Rooney Mara), only to find that in his spectral state he has become unstuck in time, forced to watch passively as the life he knew and the woman he loves slowly slip away. Increasingly unmoored, the ghost embarks on a cosmic journey through memory and history, confronting life’s ineffable questions and the enormity of existence. An unforgettable meditation on love and grief, A Ghost Story emerges ecstatic and surreal—a wholly-unique experience that lingers long after the credits roll.

SHOWING WEDNESDAY, NOVEMBER 4. Free tickets for Friends of The Ross members are available at the Ross Box Office (not available online). **In this fantastic voyage through time and space from Terry Gilliam, a boy named Kevin (Craig Warnock) escapes his gadget-obsessed parents to join a band of time-traveling dwarfs. Armed with a map stolen from the Supreme Being (Ralph Richardson), they plunder treasure from Napoleon (Ian Holm) and Agamemnon (Sean Connery)—but the Evil Genius (David Warner) is watching their every move. Featuring a darkly playful script by Gilliam and his Monty Python cohort Michael Palin (who also appears in the film), Time Bandits is at once a giddy fairy tale, a revisionist history lesson, and a satire of technology gone awry.

TUESDAY, NOVEMBER 10 *Free tickets for Friends of The Ross members are available at the Ross Box Office (not available online)* ~ The contemporary American auteur Michael Mann’s bold artistic sensibility was already fully formed when he burst out of the gate with Thief, his debut feature. James Caan stars, in one of his most riveting performances, as a no-nonsense ex-con professional thief planning to leave the criminal world behind after one last score—but he discovers that escape is not as simple as he’d hoped. Finding hypnotic beauty in neon and rain-slick streets, sparks and steel, Thief effortlessly established the moody stylishness, tactile approach, and drama that would also define such later iconic Mann films as Heat, The Insider, Ali, and The Last of the Mohicans.